While I was creating the Sokay Zine, I thought it was a good opportunity to highlight some artists in my life that were doing some great things. In my day to day I get so caught up with trying to use my creativity to simply make a product as quickly as possible. That makes it difficult to see outside of what’s directly in front of me. Seeing people maintain their imagination and use their creative abilities in refreshing ways continues to rejuvenate me during my own journeys.

For the first issue of the Zine we interviewed the homie, Gabriel Gaete (aka Gabotron). Check out it:

Photo of Gabriel Gaete (aka Gabotron) by Stephanie Sparks

So from my perspective, you do art and animation. Music and storytelling. How would you describe what it is that you do?

I use art, animation, music and storytelling and fuse it all together to create work intended to convey, explain and communicate concepts, ideas and information. I create work for myself and for clients but it all stems from the same communicative standpoint, although the understandability of my projects can range from, “Aha! I get it!” to “What the hell did I just watch?” it all has some kind of message to convey. For my clients I have to be very clear in communicating certain information. For my personal projects I use more abstract means to communicate ideas and concepts that can be more vague and difficult to understand, but represent the weird stuff that goes on in my brain.

I also take visual notes, I started taking visual notes in my community college classes and I found it as an invaluable and powerful tool to retain information. From client work, to games conferences to personal work I’ve created many doodle filled notes that really help me in synthesizing information.

Artwork by Gabotron

What are some sources of your inspiration?

I’m really inspired by brain science, culture, human interactions, different perspectives, experiential video games, the way music affects us, animals, plants and my cats. Continue Reading…

Extra! Extra! Read all about it!!!

We’ve gone and done it. We went backwards from the internet to print. Introducing… Sokay Zine!

Download Issue #1 PDF at http://zine.sokay.net

Sokay Zine (zine as in magazine) is an idea that had been tumbling around in my head for a while. It’s a 20 page 4.5×4.5″ booklet. During the development of Donut Get! I was printing out a ton of flyers for our monthly LA Art Walk show, Sokay Play. To come up with the art for the flyers, I was digging through folders of old art work gathering dust on my hard drives. Looking through all of the unseen or unfinished assets got me thinking. There was a ton of stuff that I forgot we even made. I figured something should’ve been done with it.

When I was out on the streets hustling Donut Get! and Sokay, I made a buncha flyers, stickers and buttons. It felt good to be making physical stuff again. Reminded me of drawing on line paper in class back in the day. I’d seen people online making zines about things they’re fans of and I thought, “Why can’t I do something like this for Sokay?”

A Sunsoft newsletter from Summer 1988

I remembered back in the 80s and 90s game companies often used quarterly print newsletters to reach their audiences and let them know more about their games coming out. Nintendo Power started out as one of these. This was another source of inspiration.

The making of our first game Thugjacker became the focus of the zine. We made Thugjacker before I had started blogging so it was a fresh topic to write about. To put it together, spent a ton of time digging up artwork, exporting frames of animation out of the game, looking at cut content and trying to piece together the story. It was a challenge to put it to words and be concise with it (unlike my blog posts).

Example of a Japanese guide for Faxanadu (1987-ish)

My last blog post was a review of The Untold History of Japanese Developers. On the behind the scenes DVD I got glimpses of just how in depth the Japanese game world’s print industry was. You could find a thick strategy guide for just about any game you could imagine. Seeing how they laid out game levels in those books became inspiration for my “walkthrough” of the first stage of Thugjacker in the zine.

So after assembling the zine digitally, I had to print these things out. I had a short timeline since I was aiming to print about 100 for my trip to Bitsummit in Kyoto, Japan. So I opted to print them in my bedroom rather than look for a professional printer. For 2 weeks, I was swimming in CMYK. I learned a lot through trial and error but I’ve got a decent system for printing up batches when I get a chance. Up to now I believe I’ve printed about 160 copies but I’m always short. Hit me up if you’re interested in a copy! Still need to look into a printshop though!

So take a look and let us know what you think.

• Download the Sokay Zine Issue 01 PDF at http://zine.sokay.net

This is not only a review, but my highest recommendation of what I believe to be the most comprehensive text written on the Japanese game industry in the 80’s and 90’s. At least in English! 😉 The book I’m talking about, as you might’ve guessed by now, is the following…

The Untold History of Japanese Game Developers by John Szczepaniak available on Amazon.com

Yes, the title is a mouthful. The book itself has a lot of writing as well at over 500 pages, so I’ll try to keep this short. If you have an interest in knowing what the Japanese industry was like “way back when,” or you want to know the story behind some of the cherished and/or niche titles you grew up loving, this might be the only place for you to get a glimpse of that world. Continue Reading…

I recently wrapped up a project I worked on for the fine crew at Wildlife. It was a web application involving compositing a user’s name and photo into a video in realtime, so I’m describing this as realtime compositing! My bad if this sounds misleading to ya! Read on if you’re interested in finding out what this is all about.

 

 The Spell Caster

Created for the TV show, Witches of East End, the spell caster allows users to create a spell with their favorite character from the show. After the user logs in with their Facebook account, the application plays out like an interactive video. The user selects an ingredient to mix, their photo is added to the cauldron and stirred by the user, and finally presented with a potion bottle that displays their name on the bottle.

To create the illusion of the user’s photo and name being in the video we developed a sort of realtime compositing system. This isn’t too unbelievably different from something that you’ve probably seen in Flash before but that didn’t make it any less difficult. The goal was to make this seamless with the live action video and visual fx, also handled at Wildlife. With this project I got up close and personal with the quirks and limitations of HTML video — especially with regards to cross platform and cross browsers compatibility.

In Javascript, I developed a system that basically functions as a custom video player. It generates a playlist based on the user’s selection, with certain videos being tied to tracking data that’ll draw the user’s photo and name into the scene as a texture.

Here’s my explanation for how it all works.

Continue Reading…

Hello ya’ll!

I’ve been neglecting this place. I haven’t even been announcing our games officially on the blog. (by the way, we stealthily released The Crazy Program on Android!)

For the past year or two I’ve been hacking away at HTML game demos on and off. Thinking about it, I never followed through and released something. For a time, I was thinking seriously about doing a Japanese styled mobile card game, similar to the now famous Puzzles & Dragons but I sort of hit a wall with my approach to using 3D with CSS. But that ended up just turning into a blog post outlining a CSS3 technique.

I decided to release this new project as early as possible and get something out the door, no matter how rough it was. Introducing…

RUSH-D (alpha)!

Play it at http://www.rush-d.com

RUSH-D is a Sokay game series that never got quite off the ground. I started designing RUSH-D as a side-scrolling space shooter (SHMUP) fashioned after some of my favorite games — Einhander and UN Squadron. I created a simple Flash prototype while I was working on Thugjacker and in those days, that was enough to completely sidetrack me away from my main project.

Here’s a screen shot of RUSH-D (aka Sokay Rush) prototype.

Since this was back in the day (around 2003), I thought I was clever planning to use pre-rendered 3D art to wow all of the Flash game audience. My expectations grew and I never got really far with the project outside of a few design docs and concept art. Continue Reading…

Donut Get! running on Windows Phone 8

Earlier this year I jumped into Windows Phone 8 when I got a Nokia Lumia 920. I’d been using an iPhone 3G for about 4 years and was ready to move on to something a bit more… modern. While Windows Phone has its crappiness (you mean I can’t save image attachments from e-mails???), iOS had its fair share of crappiness early on as well (no copy & paste???).

It was great to have a new fancy phone but I had an empty place in my heart because I couldn’t play my Sokay Games on my phone… 🙁

Bless the gurus at Unity for bringing the Windows Phone 8 exporter to Unity 4, and for free as well!

A couple weeks ago I tested out the WP8 exporter by doing a quick port of Donut Get! I got it working within an hour. I still need to polish it for release, but it was surprising how little extra it required me to get it running. In this post I will cover some of the process and the gotchas I encountered along the way.

Continue Reading…

 
Facebook leaderboard as seen in The Crazy Program on Android.

 I got a lot of feedback from my friends testing our new mobile game The Crazy Program. One thing that came up a few times was a request to have a high scores table to compete with your friends. I created a quick Facebook App version of Donut Get! last Fall and knew it wouldn’t be too much work with Facebook’s built in high scores functionality.

Facebook allows you to save high scores for your app without needing any backend. The caveat is that you can only save one score per user. So this works decently for a global high score for your game, but not so well if you have different levels and different modes. Facebook’s scores API will also return a list of your friends that are playing, in order of rank. This makes it very easy to hit the ground running with some social features.

Prime31 Social Networking Plugins for Unity

I decided to purchase the Prime31 Social Networking plugins to handle the communication between Facebook and Unity. I had a good experience with their in-app purchase plugins and the support was good. There were other options for Facebook plugins but they either weren’t for both Android and iOS or I couldn’t tell whether or not they could handle posting high scores. Some plugins seemed to just handle basic Facebook connect features, or at least this was the impression I got.

Prime31 Social Networking demo scene

I started development on Android. The example scene is straightforward and I got connected with my Facebook App fairly quickly.

Continue Reading…

Since using Unity, I’ve been trying to replicate a pipeline that’s similar to Flash. Being able to use Flash’s environment for hand-polished 2d animation just can’t be beat, unless you count custom developed tools. LWF from GREE shows promise in allowing you to bring your Flash animation into Unity, but there is some work involved in getting it to work!

Demo made with LWF in Unity.

With the mobile version of DONUT GET!, I tried a homemade Sprite Animation approach. This worked reasonably for the requirements of the port but it was more trouble than anticipated given the size of the texture sheets needed for so many frames of animation. Sprite sheets ate up RAM like nobody’s business and easily crashed lower-end devices.

Late last year GREE announced a godsend, LWF. It’s an Open Source tool to export Flash animation from SWF’s into Unity or HTML5. This was around the time I released DONUT GET! on mobile (which was GREE integrated) and I was excited to try it out. Unfortunately, the first release required you to compile it yourself and the only info I could find was in Japanese. Later on I found out that GREE posted more information and a super helpful video walkthrough on the Unity forums.
Continue Reading…

I ported DONUT GET! to OUYA with the hope of it being a OUYA launch title. I anticipated that it would at least help bring a bit more attention to DONUT GET!, especially since it didn’t get as much coverage as expected. Fortunately DONUT GET! was listed as one of the 104 OUYA launch titles, and mentioned on sites like Destructoid.

We’ve made our download stats available for DONUT GET! on OUYA. It’s a totally free game — there’s no in-app purchases.

Our DONUT GET! OUYA Download stats are available here: http://www.donutget.com/ouya-stats/

 

A large problem within the OUYA community is that the company is slowly trickling out the ~60,000 Kickstarter units. For developers it’s a bit unsettling with the low download numbers, and the myriad of other software problems we’re dealing with. Continue Reading…

A few weeks ago I attended the Unity LA Meetup OUYA talk. There was a talk and lengthy Q&A with some people from OUYA. The event cleared up a lot of questions I had about the project.

Representing OUYA on stage was Raffi Bagdasarian, who left product development at Sony to join the OUYA team. He explained that OUYA was originally known as Boxer8. He also brought on the Unity plug-in developer Tim over Skype to talk about some technical aspects of the Unity integration.

Developers can sign up for the OUYA developer program for free at http://devs.ouya.tv . There you can download the SDK, view the actively updating documentation, and lurk in the forums. They’re still ironing out the upload process so you’re not able to upload to the OUYA online store yet.

Unity LA Meetup (photo courtesy of the Meetup page!)

And now some bullet points:

• The console will be running Android 4.1 Jellybean.
• The SDK consists of in-app purchase and controller APIs.
• Games are required to be free to play, but features can be unlocked with in-app purchases. This apparently is also a method to curb piracy.
• There’s the typical 70% (developer) / 30% (provider) split.
• They’re focusing on app discovery for the OUYA store, aiming to organize the shops by more detailed metrics than “highest grossing” or “most downloads.” Using metrics such as most played, longest played, etc.
• Approval process will have guidelines — not total free for all. Initially they’ll be reviewing every game manually. Eventually they’ll work peer review into the process, similar to Xbox Indie Games.
• As far as the style guide, they were working on prepping an official one. But in the meantime, feel free to use OUYA name and branding as long as you’re not presenting yourself as sanctioned officially by OUYA. Also, it’s supposed to be spelled in all caps! haha 🙂
• There won’t be a content rating system like ESRB, but they’re planning something similar to Google Play.
• Online matchmaking, achievements, Xbox Live features, etc. Not at launch, but planned for eventual release. Until then, feel free to roll your own systems.

More Stuff, Etc…

• With only 8 gigs of built in storage, game sizes should be developed with that in mind. They’re working out what the hard limits should be as some games currently in development are a few gigs.
• They recommended tools like the Unity asset store’s APK Splitter, to give a quick initial download from the store and load in assets as needed during the game.
• They’re looking into cloud storage. At the time they were apparently debating it.
• Looking into system level integration of Facebook and Twitter. I’m assuming for viral sharing games, and another metric for surfacing content.
• Developers won’t be restricted from accessing websites from within games, should be able to pull any kind of data.
• No access to Android Google Play store from within OUYA.
• They’re open to accepting apps that are outside of games, like video players, etc.
• No vibration with controller, mouse + keyboard are allowed.
• They’ll have store analytics available to developers at launch, supposed to be better than Apple’s minimal dataset.
• Piracy – since every game is free to play, they’re relying on in-app purchases API calls to unlock things.

Continue Reading…