Hey Ya’ll!

I’ve been posting a Devlog for our current game project Donut Get! for a while over at the TigSource Forums. I just posted over there and I’m doing a re-post here.

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Last time I posted I was animating the cop and got super frustrated when I couldn’t test the animation and the game wouldn’t compile. After that, I finished animating the cop and the game was brought to new life.

The following are a couple examples of how the artwork for the car portion of the game was created.

For the past couple weeks I’ve been animating characters for the donut portion of the game and polishing gameplay.

I finally implemented new elements to the gameplay. Your objective is to eat falling donuts but you now have to dodge falling debris. Now that I started getting NPC animation in, I started filling in their different behaviors (like Mr. Sprinkles eating donuts).

The story is unfolding as gaps are filled in, I look forward to finishing the animation for the remaining NPCs.

David Rodriguez is just about done animating the fighting game segment. Tonight he sketched out some storyboards for a couple cinema scenes related to that segment. I’m very excited to have his animation in the game and playable!

Till next time…

Peace!

It’s kind of hard to keep up with Flash game competitions. Every time I hear about one, there’s only a little amount of time left. And even if I know about them for a while, I decide at the last minute to enter! Here’s my last minute attempt to get the word out on a few.

2nd Games That Challenge the World Contest

Deadline: February 28th, 2011 at 23:59 est

Requirements: Make use of the Come2Play Multiplayer Api.

This is my first time hearing of this Come2Play system. From what I can tell, games that implement the API use a universal currency called ‘tokens’. You can check out the documentation to get started and Emanuele Ornella wrote a tutorial for implementing the Multiplayer Api that might be worth checking out as well.

Here are the winners for the 1st competition to get an idea of what the competition might look like.

More information at the Come2Play website.

Stanford Hackathon’s Flash game Competition

Deadline: Too Soon, February 13th at Noon PST

Requirements: Create a game with the theme of “benevolence”. Whatever that means…

Prizes: The best part is every submission wins a copy of FDT 4 Pure, the excellent ActionScript code editor. Which is awesome if you’re on Mac because you don’t have Flash Develop. Grand prize is Adobe Master Collection and a bunch of nice goodies. Check the page for the full prize list.

My homies the Super Fulton Bros. (Steve and Jeff Fulton) are judging this one, as they posted on their site. Jeff expressed concern for how subjective the theme is but that may make it more fun in the end! Part of what makes Apples to Apples so great — the other part being plenty of alcohol consumption.

More information at Stanford’s hackathon website.

Pico Day on Newgrounds

Deadline: April 30th

The yearly Pico Day event will be happening on Newgrounds not too long from now. It’s a while so there may be time to plan something! haha

If you don’t know what Pico Day is, it’s a where Newgrounds users submit a bunch of animations and games themed around Pico, the classic Newgrounds Flash game from like 10 years ago. It was a huge inspiration for me back when I was messing around in Flash 3. Gotoandplay genius.

Some info on prizing in the blog update.

Kongregate Monthly Competition

Deadline: End of the month! Every month.

I never knew Kongregate had a monthly competition. But it seems that they do.

More info at the Kongregate website.

Artwork from the Car Segment of the game.

Work continues to progress on the Donut game. I’ve spent a great deal of the summer focusing on the Car Segment, which serves as an interactive intro. During this segment of the game, you play as the officer driving to the scene of the Great Donut Fire. You must drive through traffic, hopefully avoiding collisions with cars and civilians. The outcome of this section will be dependent on how you handle it — reckless driving will result in a ‘negative’ outcome where you don’t get to where you’re driving to.

With the Car Segment mostly wrapped up, I’ve moved on to focusing on the Fight Segment of the game, which acts as a mini-challenge within the game. David’s animating the characters for this part, the gameplay will be similar to Punch-Out!. I’m working on getting a skeleton of the game engine in place so that he can test his animation without requiring me to drop additional code in. Since this sections gameplay is so tied to the actual animation and timing, it’s important that he’s able to quickly iterate and test while animating.

The game is starting to emerge from the rubble and smoke. With every pass at detail and polish, it becomes clearer to see what the end result will be. While I chose to have the game mechanics relatively simple, I wanted to use them to play out a scenario and communicate ideas and themes from the world. This communication plays a larger role than it did in Thugjacker, where it was a bit more subtle, and is more integrated into the world than LUV Tank where it was much more blatant and abstract.

Most of the game artwork is done and in place at this point, but there’s a lot of animation that needs to be done. I’m doing planning for the game endings now, which will play a large role in the game. The way the game plays out will determine your ending — Way of the Samurai serves as my inspiration for this aspect. I’ve been thumbnailing these endings, working them out on paper while I develop the game.

Until next time…

Peace!

-Bryson

Bryson’s been pressuring me to post about Children at Play for a long time, and I kept telling him “I’m too busy working on the game!” But enough a’ that crap. I uploaded the video preview to YouTube and I’ll have a playable demo up here very soon.

I started work on Children at Play at the start of last winter and its eaten a lot of my time since then. I consider it a small step, but an important one, in the right direction. I’ll save any in depth discussion for when I’ve got the demo up. For now I’ll post some text I’ve put together for various submissions and whatnot.
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Chris and I attended the IGDA LA Chapter’s July meeting for a panel discussion titled “Running a Small Development Studio: Perils, Pitfalls & Promise.” I was interested in checking out the event because it was a relevant topic and I’ve yet to attend any of the LA Chapter meetings. I’ve been an IGDA member on 2 separate occasions but failed to see value in the membership since there were never any meetings. This year they’ve restarted and are having meetings the 2nd Thursday of every month.

The talk was excellent. The speakers gave a good idea of some of the challenges of getting a company started and keeping it rolling.

The speakers were:

John Beck CEO, WayForward Technologies (A Boy and His Blob, Where the Wild Things Are, Space Chimps)

Jenova Chen Creative Director, thatgamecompany (Flower, flOw, Cloud, Journey)

Tian Mu CEO, Co-Founder, Naked Sky Entertainment, Inc. (Star Trek DAC, RoboBlitz, RoboHordes)

Jesse Vigil Founder, Partner, Psychic Bunny (Codename Games, Lead Balloon)

After the talk, it transformed into a mixer. It was good chit-chatting with some of the homies and the regulars. Met and re-met a couple people we saw at the USC Global Game Jam. I had a good chat with the homies Nite and Deon, who worked on Lulu Cao’s thesis project, SomeDay.

This IGDA-LA event is every 2nd Thursday. It hasn’t been updated for a while, but you can try the website for info about the next one. If they keep having meetings of this caliber, I’ll have to renew my membership.

Oh yeah, baby. I came up. Won this wonderful game at the raffle.

So we’re done with that Indiecade submission nonsense. It served as a good goal for us, rushing toward the finish line. But in the end, it was just a checkpoint — a milestone — since there is still so much more to be done.

I’m happy that all of 3 games in the project are hooked into each other through the game scenario and most of the art assets are completed. We now have an even clearer idea of how the project is working so it makes the refinement process go much faster.

To the left are some game assets from the car game. I drew these cars in Adobe Illustrator, and made a few color variations. I’ve determined 11 variations aren’t enough so I’ll draw a few more and make additional colors to break up the visual monotony.

Since the last post, I’ve added Cryptic Circuitry’s music and sound effects to the game. It sounds great and it’s becoming more obvious what sounds are missing now. We need to take another pass at the sound now that it’s in. The sound is always the time consuming part that I spend little time at the end on. With the energy Cryptic’s putting into the sound design, I want to make sure it all works smoothly.

As far as the Sokay war with Chris Rock goes, I declare myself winning. As he is too much of a wusscake to post any news on his game. He claims his time “working on it” is much more valuable than posting on a blog. Pssh!

Last December Chris tried peer pressuring me into doing this Global Game Jam nonsense.

“Come on Bryson, you wanna be cool don’t you?” -Christopher J. Rock

While I always feel obligated to elevate my coolness, I resisted. At the time I wasn’t interested because I felt that I needed to give love to my elusive Donut project. As January 29th approached I realized that the Game Jam is something I needed to do. After attending the Game Developer’s Conference and Indicade it’s become ever-so apparent to me that connecting with others within the same community builds deep bonds. And it dawned on me.

Independent game developers need a spot where we can kick it. A spot where we belong. Where we don’t have to get all dressed up and be Hollywood.

Something similar to a Thugz Mansion, but for game developers. Global Game Jam is our Thugz Mansion.

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Kavalmaja by Tonypa

I recently finished Kavalmaja by Tonypa. It’s an puzzle-adventure game that I first played about a year and a half ago. I had probably spent 30 minutes with the game, getting deeply involved with it. Something interrupted me and got sidetracked and never went back to it. It was bugging me that I never finished it — so I did. And it was worth it.

The game of Kavalmaja is a well thought out dungeon. The goal is to collect all of the “gold pieces” in the dungeon, acquiring abilities along the way to progress further along in your journey. The game is presented in an abstract fashion, requiring you to move around and touch stuff to see how it reacts. As you interact with the world you learn what its symbols and colors mean. So an area you passed through earlier will have a different meaning later on. It ends up playing similar to a Zelda game but there’s something special about its abstract nature. In a Zelda game it’s clear that if there’s a cracked wall you need a bomb to get through it, the world of Kavalmaja the connections aren’t that obvious.

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Just finished my first game since going solo and it went pretty well. It’s a pretty simple top-down shooter. I wanted to test myself with a 1 week schedule, but ended up taking 2 weeks.

I’ve put it on Flash Game License. This is the first time I try out their service, but I’ve only heard good things. I’ll put a link up after the game’s live.

The soundtrack was done by my brother, Jonathan Rock. After the game’s out, I’ll put the music here for download.

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Play it at www.sammysamurai.com

In late November of 2008 I found a forum post on Flashkit that linked to a contest from Mochiads. I wasn’t too excited about the prizes, the runner-up prizes were almost a joke, but I saw this as an opportunity to rush and actually finish something. Winning would be a plus. I hadn’t released a Sokay game in 2008 so I felt it was my last chance.

So I wanted to plan something that I would be able to finish within a month. That meant it had to be a lot simpler than my usual grandiose visions. I passed up on the opportunity to work with the Donut game I’ve been working on because there was a lot of animation that needed to done that I didn’t want to think about.

I had recently been inspired by the Studio Ghibli film Tales from Earthsea. I didn’t think the movie was very good but it has some awesome background design and a few shots had some excellent parallax scrolling going on. The parallax shots were very quick but captured my attention. Thanks to digital compositing they were able to blend many layers without making it obvious where one layer ended and another began. Continue Reading…